Lady Sarashina Selection from Ivan Morris´s introduction (book “As I Crossed a Bridge of Dreams): One thousand years ago a woman in japan wrote a book, which survived the centuries and it is now one of the early Japanese classics. The book is usually known as Sarashina Nikki. Lady Sarashina herself never gave the book any such title. Like most literary works of the period, it was named by subsequent copyist. Sarashina is a mountainous district in central Japan, it is not mentioned a single time in the book, but there is an indirect allusion to the place in one of the author´s last poems. Nikki is usually translated “diary”. But this book will show that it is no daily record of events but a book in which the material has been deliberately selected and shaped to reveal certain significant aspects of a woman´s life. The author belonged to the extraordinary group of literary women, they were educated and their social position was favourable. At the age of thirty-one she left to become a lady-in-waiting to one of the Imperial Princesses. From the outset it was obvious that she had started far too late to make a success at Court, and she was never called to serve in the Imperial Palace itself. She continued as a lady-in-waiting at the Princess´s Court for about five years. When she was thirty-four she developed a romantic infatuation for an elegant young courtier, whom she met on a dark, rainy night. The relationship remained insubstantial and it petered out within a year. She was eventually married at about thirty-six, which for a woman was almost old age. Her husband was a typical member of the middle class. During the years following her marriage Lady Sarashina´s main interest in life appears to have been pilgrimages. Her book is one of the first extant examples of the typically japanese genre of travel writing, with anecdotes, reflections and lyrical poems. Her interest in this world was limited to what impinged directly on her own emotional and aesthetic concerns. Lady Sarashina was naive, timorous, introspective, solitary. Thought kind and affectionate by nature, she had difficulty in asserting her amotions, and until the end one senses something ineffectual and irresolute about her, not only in personal relations but in her entire approach to the outside world. She protected herself by a barrier of fantasy, the final escape was in the world of dreams. Dreams are important in Buddhist imagery as a metaphor for the illusory nature of human experience. We know nothing about her end, maybe her final months were spent alone in the safety of some peaceful hillside temple. | ||||